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Photographer's Note

Although the Pantheon has stood from antiquity, the area in front of it had over the centuries become choked with a maze of sheds and small shops that had grown up around its columns. These medieval accretions were cleared by order of Pope Eugenius IV (1431–39) and the piazza was laid out and paved. It took its name from the Pantheon, which had been converted in the 7th century AD into a Christian church dedicated to "St. Mary and the Martyrs" but informally known as Santa Maria Rotonda. The piazza is roughly rectangular, approximately 60 meters north to south and 40 meters east to west, with a fountain and obelisk in the center and the Pantheon on the south side.
During the nineteenth century, the piazza was especially noted for its market of bird-sellers, who brought their cages with live parrots, nightingales, owls, and other birds into the piazza. A traveler in 1819 remarked that during Twelfth Night celebrations in Rome the Piazza della Rotonda was "in particular distinguished by the gay appearance of the fruit and cake-stalls, dressed with flowers and lighted with paper lanterns."
Charlotte Anne Eaton, an English traveller who visited in 1820, was much less impressed with the piazza and deplored how a visitor would find himself "surrounded by all that is most revolting to the senses, distracted by incessant uproar, pestered with a crowd of clamorous beggars, and stuck fast in the congregated filth of every description that covers the slippery pavement ... Nothing resembling such a hole as this could exist in England; nor is it possible that an English imagination can conceive a combination of such disgusting dirt, such filthy odours and foul puddles, such as that which fills the vegetable market in the Piazza della Rotonda at Rome." An 1879 Baedeker guidebook noted that the "busy scene" of the piazza "affords the stranger opportunities of observing the characteristics of the peasantry."
Its present appearance was threatened with destruction under the French administration of 1809-1814, when Napoleon signed decrees calling for the demolition of the buildings around the Pantheon. The short life of French rule in Rome meant that the scheme never went ahead but it re-emerged in an altered form in the urban plan of 1873. This scheme proposed that the piazza should be enlarged and made into the focus of new boulevards converging on it from the direction of Piazza Borghese and Largo Magnanapoli. In the event, this did not happen, though several structures adjoining the north end of the square and the Pantheon were demolished under Popes Pius VII and Pius IX.
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Additional Photos by Daniel Draghici (dkmurphys) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 5734 W: 83 N: 11524] (77034)
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