Photographer's Note
Sultry night vibrates to bongo’s beat, the guitar strums
Of lonesome heat. Last night; Palenque; camp-fire breaths;
Shadow of matted blond quivers underneath.
Beer bubbles; the heart sings; the night is full,
With such fullness as last nights can bring.
She was in the eye, a swirl of blue surround,
She floated right below the crest, then went around;
The wave broke in boisterous bubbles, the head bobbed,
Breath abated we waited. I saw her swim
Ashore, the long board swung, with an easy stride,
She shook back her mane. A waif in the
Blue, an ethereal sprite, she smiled at Pedro
Who lay on the sand nursing his silent bongo.
We shook, said hello, she in a soft English
Wanted to know my town; so we did reliish
Corona under the umbrella; the sun's pleasant,
The gulf warm, waves full, distant water a mirror;
She spoke of beaches by the west of Spain,
Of Moorish towns and Barbery vale.
I venture: Why not Chiapas, see the fabled stones
Of Mayan adventure? Ruinas, they say in those shores.
So we rent a compact, long-board fastened tight,
We leave Merida the following night.
Three on board we pay the toll,
Of roads paved sometimes, often not at all.
We tumble along over myriad speed bumps,
Lined on occasion with trained machine guns,
They in front and I lie in the back,
We sing and laugh, we clap and slap.
We wave at horses with men on back.
We drive past swamps, dark, and banana groves,
Across loving maize farms tilled by Mayan blokes.
Past backyards of rooster and pecking hen,
Of wallowing pigs in mud and in pen,
Our compact rolls towards Chiapas’ bend,
Where the plains end at the forest’s edge
Where the warm rains nurse a jungle dense.
Palenque, at last! A nondescript town of three roads
That fork past an overstated lawn, of power line
And grimy taqueria, with smell deliciously fine.
We eat, we haggle with Mayan women
Piggybacking piles of colored bale,
Women who laugh at her matted hair,
And stare
at her foreign ways and scanty flair.
So she buys an earring, three wristbands; we cast
Our heads with indulgent air. We drive at last,
Packed in the car, to the Ruinas, of Paqual fame;
But first we must pay pesos to military male.
On the steps of the pyramid, she excitedly
Climbs; Pedro follows, uncertain at times.
She stops at the top and scans the horizon,
At the tangle of trees past the ancient mansion.
They hug and kiss, on the steps of Paqual,
To remember the heady days of youth’s enthrall.
We visit the caves, the temples, the alter,
Where young maids once lay in sacrificial torpor.
Then the night falls. We pitch our tents by
The forest’s edge, make fire, sing, and lie
Under a starry sky by the ancient mansion,
As I listen to the chorus of howlers’ passion.
[Read on in the fictional travelogue for the rest of this parody!]
erthmuffin, Salil_B oznaczył to zdjęcie jeko użyteczne
Critiques | Translate
Miks
(1717) 2006-01-30 0:53
Nice 'crammed' composition. A lot of stuff goes on here. Its a great asset that we get to see all of their faces. Including the skeptical-looking guy in the background. He provides an interesting tourist-local aspect to the story. I wish the background was a little 'cleaner' though. Perhaps another DOF would have been a good choice? Nevertheless; a well conveyed scene!
Best,
Mikkel
tongapup
(0) 2006-01-30 16:46
Hi Animesh. Ah ha! A closet poet on top of everything else! I love the note, it's wonderful!
Something about the vertical format here bugs me... it seems to me that not much is going on in the bottom half and I'm tempted to crop it halfway down, into a square. Or something like that... I'm not sure exactly what I want but there's something too staid here for my liking. I'll try a WS to show you what I mean. (Hesitant to modify your images since I know your eye is more sophisticated than mine and I may be ruining what for you is the essence of the shot, but nonetheless...)
Edit: I tried and failed. Still, I stand by my comment about the staid nature of the picture, where I would expect dynamism with so many bodies in the shot. Also that damned van in the BG is distracting... cars... the bane of the urban photographer...
verde
(957) 2006-01-31 23:01 [Comment]
Salil_B
(737) 2006-02-02 12:28
Great note, Animesh. Everyone would expect an ocean shot from the title. You bring out the essence. There is nothing to comment on your technique ... great as always. You have also caught the expression absolutely right.
Salil
Furachan
(0) 2006-02-02 20:02
Interesting moment, Animesh. My eyes are drawn to the young Mexican behind the car on the right: don't think he's part of this "yankee" entourage and his look speaks volumes somehow...
Brilliant literary note...:o)
Best,
Francis
KevRyan
(22956) 2006-02-04 13:25
Hi Animesh - I just like the informal chilled naturalism of this shot - like you're just there as part of the group - the parody is just great - I read it a couple of days ago but didn't have time then to write - great stuff!
best wishes Kev
kensimage
(8563) 2006-02-07 11:01
I like the obvious interaction going on among the three, Animesh, and the "outsider looking in" on the right emphasizes this even more. Everything about the three says they're there for fun. Very well seen. Great note, too! Regards, Ken.
Photo Information
-
Copyright: Animesh Ray (AnimeshRay)
(9089)
- Genre: Ludzie
- Medium: Czarno-białe
- Date Taken: 2005-12-25
- Categories: Życie codzienne
- Camera: Nikon F3 HP, Nikkor 28mm f/2, Ilford HP5 Plus 400
- Wersja zdjęcia: Oryginalna wersja
- Dzienniki z podróży: Surfers in Palenque
- Temat(y): In Chiapas [view contributor(s)]
- Date Submitted: 2006-01-30 0:48
Discussions
- To Miks: Absolutely! (1)
by AnimeshRay, last updated 2006-01-30 01:21 - To tongapup: I know what you mean! (1)
by AnimeshRay, last updated 2006-01-31 12:20 - To verde: Hi Brady! (1)
by AnimeshRay, last updated 2006-02-01 12:31 - To Salil_B: Thanks! (7)
by AnimeshRay, last updated 2006-02-03 01:45